You already rely on MCP Actions for Photoshop or Photoshop Elements to help you create gorgeous, artistic images with minimal time and effort. Now, we’re offering Lightroom and Adobe Camera Raw users the same one-click convenience and eye-catching results.
Don't get overwhelmed when you have hundreds of images to edit. Learn how we edit photos fast using a combination of Lightroom, Photoshop. actions and scripts. You can edit faster too!
When you hear the word histogram, do you think “hist-o-what?” If you are unsure how to read and utilize the histogram to do in camera metering, this is a must read article.
If your Photoshop actions stop working, give you error messages, or start acting crazy, here are 15 solutions to your problems. Read this and get back to editing.
If you cannot get your actions installed easily into Photoshop Elements, this is the ultimate troubleshooting guide. You will have your actions installed and working once you try our tips.
The MCP Fusion Photoshop action set combines the most versatile and user-friendly workflow actions with beautiful color and black and white conversions, bringing you an action set with unlimited combinations. These actions will change the way you edit in Photoshop.
If you love FREE, download our most popular free Photoshop action to date. Available for Photoshop and Elements - This is the must have action that everyone is talking about. Learn how to get it now.
Envision shooting just for yourself. Every week for up to 52 in 2011, you can join MCP Project 52. Get inspired by photographers across the globe and participate with our weekly suggested themes. Watch for new themes every Saturday and see 10 feature images.
If you are a photographer and you are not 100% sure of the difference between cropping and resizing, read this! You will understand the important differences and how they affect your photography and editing.
Do you prefer clean editing, vintage, color pop, cross processing or black and white images? Come vote for your favorite edit while you see this week's Blueprints.
What is your absolute favorite lens? If you only could pick one, what lens would it be? Come share your opinions - and learn what our favorites are too.
This article on "how to price your photography" is one of the MOST POPULAR ever written for the MCP Blog. Once you read this you will see why it has hundreds of comments, thousands of Facebook shares, and sparks interest and controversy. You will also learn how to make more money as a photographer.
Sun flare is technically considered a flaw in traditional photography. In modern photography, photographers are taking this past blunder and turning it into expression and art. Learn how you can purposely use sun flare to capture amazing images.
My favorite thing to shoot, besides my children of course, is any image with the sun. I love sculpting the sun into star shaped bursts of light. Learn how to achieve this fun photographic technique by following my simple directions. Don't say I didn't warn you - this can be addicting!
Taking pictures in full sun on the beach can challenge the strongest of photographers. Here are tips to help you pose families and children - and get the best possible images on the beach.
Textures can turn an ordinary photo into an extraordinary one when you use the right texture on the right image. Learn where to find thousands of free textures and also how to apply them to your photographs.
Occasionally we get burnt out. Here are 12 things you can do to get out of your photography rut. After trying these ideas you'll pick up your camera and shoot incredible images again.
Learn some of the latest photography crazes - also known as fads. You will love some. You will hate some. Props, poses, and anything that is very popular for a short period of time is defined as a fad. See what photographers are shooting now.
Don't fall victim to the common editing mistakes that most photographers make at one time or another. Find out the mistakes and how to avoid them in your photo editing. Decide for yourself which may still have a time and place in your workflow.
If you are looking for fun, unusual gifts for the photographers in your life, you need to check out this amazing list of gift ideas - for the holidays, birthdays and any other occasion.
We love the new skin tones option in the color range dialogue, the iris blur, better resizing features, richer opacity controls and search functions in the layers panel, improved patch tool, non-destructive crop tool, and more.
If you crop photos at the beginning of your workflow, rather than at the end, you may get an error that reads, “The object layer ‘Background’ is not currently available” when you run some Photoshop actions.
You’ll probably panic the first time you see it and assume your actions don’t work. They do.
Photoshop actions that worked properly in CS5 will work in CS6 too.
If you use the crop tool first, and have the box labeled “Delete Cropped Pixels” unchecked, you will have a non-destructive workflow. That is a good thing. You retain all pixel information in your photograph and can re-crop at any time (assuming that you save as a layered, non-flattened file). The drawback is that the “Background” layer in the layers panel becomes “Layer 0.” Any Photoshop actions that call upon “Background” will get the error: “The object layer ‘Background’ is not currently available.”
Watch the video below to learn how to avoid or fix this issue manually. Also you can download the Free MCP Action Fixer for CS6, which does the work for you.
If you run into the error message here is what you can do:
Good: Check off “Delete Cropped Pixels” – this will preserve your “Background” layer and actions will work. The downsize is cropping will trash pixels, as it did in CS5 and below.
Good: Flatten after cropping, even if you only have one layer called”Layer 0.” This will rename the layer to “Background.” We included an action to flatten in our Free Photoshop Action: MCP Action Fixer for CS6: Flatten. Download it now.
Better: Crop at the end of your workflow after running action. Leave “Delete Cropped Pixels” unchecked. Save as a layered file if you may want to crop in the future.
Best: Use our Free Photoshop Action: MCP Action Fixer for CS6: Background. Download it here. This will preserve the layers and rename the “Layer 0″ to an unlocked “Background” layer. Photoshop actions will work and you can enjoy non-destructive cropping.
Best: Rename the layer titled “Layer 0″ to “Background” – same advantages as five.
May is shaping up to be another busy month for Project MCP. The Flickr gallery has been quite busy with the opportunity to win a Tamaron lens on the table! This week’s challenge was to capture a photo to illustrate the word “neighborhood”. Here are few of the Project MCP’s favorites:
Submitted by James Charles
Submitted by Tonionick1
Submitted by Posers by Tammy
Submitted by Nsphotos1
Next week’s challenge is to capture a photo with sunflare. You can check out THIS MCP post for some helpful tips. We cannot wait to see the sun come out!
If you are just joining us today you can click here to find out how to play along with Project MCP; and if your interested in winning a great new lens, you can find out all the details here.
We want to thank our corporate sponsors for Project MCP:
Sleeping newborns, with such precious little faces, can make for amazing photographs. Who doesn’t love a pair of chubby cheeks squished strategically between two tiny hands? Many parents anxiously await these sweet images, before their bundle of joy even arrives. Likewise, many photographers can’t wait for the opportunity to photograph those little mushy faces. However, there are concerns, beyond how to handle so much cuteness, and one of the biggest is safety.
As a business owner, or even a hobbyist, liability and potential lawsuits are a priority at every session. This advice is especially relevant during a newborn shoot. With a newborn baby in your hands, parents trust you with their brand new, fragile life. An infant, who cannot avoid injury on their own or even break a fall with their hands, should receive complete caution and attention. You should never, ever put a baby in danger in order to get a nice image.
The safe way to achieve trendy poses, which may be harmful if not done properly, is to use Photoshop. “Compositing” is a very popular technique used by responsible newborn photographers. A composite image involves taking two or more images, and using Photoshop to combine them into one. Want to see it in action? Just watch the following video:
There are 3 steps you will need to follow to get the pictures needed to make this composite image:
The baby must first be put into position with his/her hands on their chin. You will need to have a parent or assistant help you (you should be using a soft cushion-like surface; many photographers use a special bean bag).
Have the parent or assistant hold the baby’s hands/wrists and possibly the back of their head steady from the baby’s right side. Now step back and take your picture. I like to take a burst of 3 pictures to allow me more selection during editing, but you may only need one.
Now, have the parent or assistant move to the baby’s left side, while you hold the baby in position, and have them hold up the baby’s head with both hands. It is very important to switch sides, so you will be able to mask out all arms and hands. Step back and take your picture/pictures.
Choose the image that has the more preferable facial expression as your background image.
Now, you will need to go to your other image, select all (control/command + a), and copy (control/command + c) your other image.
Paste the copied image on top of your picture you selected as your background image (control/command + v).
Resize your pasted image, until the baby in this image matches the size of the baby in the other image.
Change your pasted layer’s opacity to about 50%. This will enable you to see both layers at the same time.
Now that you can see both layers, line them up as best as possible by repositioning all the edges of your pasted layer. You may need to first rotate your layer if the baby’s eyes do not line up nicely.
Once your pasted layer is in position, turn the layer’s opacity back up to 100%.
Add a layer mask to your pasted layer. To do this, select your pasted layer, and then click the icon below your layers that looks like a rectangle with a circle inside.
Use your paintbrush tool and select a soft, black brush.
Paint at 100% opacity over the face and body (if your background image is the one where the arms/wrists are being held, you will need to paint over the face and hair rather than the face and body).
You will need to paint over the arms of the parent/assistant as well. You may need to lower your opacity to around 25-50% to blend in some areas on your backdrop.
Zoom in closely and carefully clean up any areas of overspill on your image. This means areas that were accidentally masked that should not have been. To do this you can use your “x” key to toggle between black and white to fix the masked areas to your liking.
Use your clone tool to clone out any areas of overlap that cannot be masked, or any areas where something is showing that should not be.
Crop your image to take out any unwanted areas around the edges of your picture.
For editing, you can edit each image separately before compositing. Just be sure to edit them exactly the same. Or you can also wait until after you have done your composite and edit afterwards. (I recommend the newest action set from MCP actions, called “Newborn Necessities” it is amazing!)
There are plenty of different newborn poses that you can use this technique with. Some examples are: baby’s chin resting on folded arms, baby hanging in a hammock (do not lift a baby more than a couple of inches over a cushioned surface, with a spotter at all times), baby at the edge of a basket that could topple over, swaddled baby in an upright sitting position, baby in a suitcase or other prop with a lid that could close on top of them, baby laying on top of sports or other round equipment, and many more. The possibilities are endless. Be creative, but be safe as well.
This blog post and video was contributed by Blythe Harlan, of Blythe Harlan Photography. She is based out of Fort Bliss, Texas.
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